Wednesday, February 17, 2010

Two Little Birds

Trying to dig to the route of why decay, overgrowth, and loss is an importance in my work I came to a halting discovery/ remembrance of the story 'Two Little Birds'. It was a poem my mom used to sing to us kids when we were little. Specifically when we were swimming. She would sit us on her lap and sing "Two little birds sitting on a hill. One named Jack. One named Jill. Fly away Jack. Fly away Jill. Come back Jack. Come back Jill," and we would swim off her lap and back to her for hours in the pool. 
(picture: my roommates memory of 'Two Little Birds') 
The importance of this is to this day I have a fear of being abandoned, and it may have something to do with my upbringing. I relied on others. I did not speak for the first few years of my life, because my brother would do all the talking for me. He knew what I wanted and would either ask or get it for me. I did not have to worry about communication, until our mother put a stop to the action. 
This need to follow others is something I do not want to do. I want to be able to rely on myself, yet I feel my upbringing may have hindered my ability to do this successfully. The two little birds allowed me to see at a young age that following was ok. When it should have been leaving is ok... mom is there for you to swim, fly, or run back to. I miss interpret this though. Jack fly away and Jill must follow. Jack comes back and so must Jill.

Other important discoveries about the connection to decaying is that of my body... well in some light is decaying. I no longer can smell, I have a weak pallet for taste, and my vision is getting bad. This worries me on a level. More so it depresses me now. I feel the world has some secret code that I cannot crack about smell. I used to know the formula, but no longer do. That is what disappoints me. If I loose another sense I will soon forget what food tastes like. Just like how I have forgotten what things smell like. That is why texture is so important in food and in my art work. I can still feel. That one is not going away, not yet at least. 

The most important decaying discovery is that of my old home. It started to go down hill when drug busts would happen in the neighborhood about three times a year (and that is being generous, and it was a small block). Then, when it came time to move out we rented from the buyer (our next door neighbor), so I could finish my senior year at the high school I was attending. The decay hit home, literally. The new owner would build a home right in our back yard. Invading my safety zone. Changing the layout of my childhood memories. The tree we used to sit on and eat oranges would no longer be there. The never used picnic table would lay in some dump somewhere, never to be used. The chicken coop would no longer have the potential of housing chickens, because the new owner built a house atop all these memories and future possibilities. Now when I go home it is usually just me going home. All siblings are grown and have different schedules. Making even holidays hard for us to come together because of jobs and responsibilities.

Summery... Decay is important because it is what I know. It is what I have to try to rebuild and what I have to try to accept everyday. Decay is an ending and a beginning. Decay is subtracting and a new. Decay is my muse.

Tuesday, February 16, 2010

Counting Sheep

Today I had planed to spend the whole day thinking about my epiphany from yesterday. Except for I had work and when I got there we had much to catch up on (due to having to close from the snow). Little to say I didn't get to think at all about my epiphany. There was so much work to do that I tired myself out. So I napped. Then went to class.
So today I didn't get far thinking about art, or much of what white may mean or what deconstruction may mean to me, but I did get to count sheep. So today I rest, and will be ready to have a full fledge of thoughts to myself tomorrow. 

Monday, February 15, 2010

The Epiphany




Why this intrigues me so much, or how it connects to me (beyond the white project), is that its structure is something that is  falling apart (melting), it is becoming (ice), it will no longer be what it used to (snow), yet what lies behind will soon be what it once was (a brick wall), but not for sometime because it is snowing, again. The snow will cover the skeletal structure that is holding it up allowing only a white blanket to be shown. In some cases the growth over an object can be so damaging that the growth consumes it to a degree that the core subject is no longer recognizable. It is only known to be the overgrowth. Which in time can even damage itself. Deteriorating what it is holding onto while it deteriorates itself. 

Sunday, February 14, 2010

White is the New Black

So Valentines Day, riiiiiiiight. Yeah so spent the evening with my valentines, and we celebrated it. The two people who don't do "valentines day" were valentines. It was cute, he surprised me with flowers, with his twist on it (meaning the flowers were potted, LOVED) and he even wore a tie! He dressed up! so I felt bad dressing the way I did... I mean the girl should one up the man right? Well I totally slacked. He thought I looked nice anyway though. After dinner was a shot at the movies, which failed due to EVERYONE ELSE BEING THERE. It worked out for us though. We went back to his house and watched 'Peter and the Wolf.' Oh and the end of the Olympics which lead to interesting topic conversation afterwards. Good conversation of course until I fucked it up. Yeah way to kill it Mal. Way to Kill. I know that what was said wont end it though... I mean it was just misunderstandings of words, really. 

Today I would say is the clearest of all days. Everything was put into perspective. My ducks were lined so to say and then I killed it. I killed the duck, and I made it muck. I made the most cliche day turn sour. Go Me.

Saturday, February 13, 2010

Finally I See him


As the weaving family may know I am back together with an ex. The snow had postponed many dates, but we were finally able to get together to spend a day of doing some random things together. Things that we have never done together before. The Book Thing, Thrift store shopping... and topped it of with what we know best, sushi!
So today I would say it is like the sushi that we had. You take a roll of something that you know you will like and a roll that is daring. Each time you know nothing can go wrong with white rice, soy sauce, and wasabi. 

New Recording Series

Just like the first weaving project I have to focus on a subject for 30 days and make a weaving based off of my gatherings of records. Last time I focused on an object, mold, this time I am focusing on a color, white. Not necessarily the object that have white, but more of the phycology behind the meaning of white. For example white can mean purity, cleanliness, new beginnings, or even in some cultures death. 
For this project I will focus on what happens during my day. Figuring what is pure or new or what is white. Each day after analyzing my tracks I will write about it and post an image if it seems necessary  for further explanation or clarity. 
As for the art I plan on taking scraps and cut offs from past weavings for the weft. Giving texture to the cloth. I also plan on taking the dyed yarn and retracting the color from it by using bleach or thiox bringing it back to a white tone.  

Experimental Weaving Leads to Places

I decided to try some new techniques on the loom recently as a resulted I found unexpected out comes. The first technique I tried was a woven shibori, which is a technique used to resist dye in a dye bath after the fabric has been woven. The resist lines are floats woven into the pattern so when everything is finished being woven the floats are pulled tight, and once the fabric is dyed the resist lines are then taken out I have not gotten to the state of dying yet, because while I was pulling the resist lines I discovered something that the cloth was doing that I had not expected it to do. The cloth started to curl. Evidence below.

I continued the process of pulling the lines while taking photos as I went. The structural aspect that it was giving me was something that I was hoping to discover within weaving. I never would have expected it to come from this process. Now that I have tapped into some possibilities I am going to go further into the sculptural aspect of this technique. The dyeing part of this exercise I have not yet forgotten. It will come in time. Now this is what I have to play with.
 

Thinking about playing with the possibilities of shape with a weaving; I took on another experiment. This time I would play with the shape while it was still on the loom. Using 10/2 bamboo I soon discovered my excitement for this weaving was not as inthralling as prior weavings. Maybe it was the size yarn, or the fact that this takes 10 times longer to weave it because it is like weaving six weavings at once. 
The idea was to separate the weaving while it was still on the loom. Once the weaving had enough inches on it I would then undo the tie up of the back beam and re-thread it so that the strips would cross one anther. Giving it a braided effect. 
This has not yet been completed, for once I got to the crossing point I ran into some technical weaving problems. Once I get over that hump the weaving will continue. In the mean time here is an in process photo.